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The Boarded Window By Ambrose Bierce

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লিরিক্স
In 1830, only a few miles away from what is now the great city of Cincinnati, lay an immense

and almost unbroken forest. The whole region was sparsely settled by people of the frontier.

Restless souls who no sooner had hewn fairly habitable homes out of the wilderness, and

attained to that degree of prosperity which today we shall call indigents, than impelled

by some mysterious impulse of their nature, they abandoned all and pushed farther westward

to encounter new perils and privitations in the effort to regain the meagre comforts which

they had voluntarily renounced. Many of them had already forsaken that region for the remoter

settlements, but among those remaining was one who had been of those first arriving.

He lived alone in a house of logs surrounded on all sides by the great forest, of whose

gloom and silence he seemed apart, for no one had ever known him to smile nor speak

a needless word. His simple wants were supplied by the sale or barter of skins of wild animals

in the river town, for not a thing did he grow upon the land which, if needful, he might

have claimed by right of undisturbed possession. There were evidences of improvement. A few

acres of ground immediately about the house had once been cleared of its trees, the decayed

stumps of which were half concealed by the new growth that had been suffered to repair

the ravage wrought by the axe. Apparently a manseal for agriculture had burned with

a failing flame, expiring in penitential ashes. The little log house with its chimney of sticks,

its roof of warping clapboards weighted with traversing poles, and its chinking of clay,

had a single door and directly opposite a window. The latter, however, was boarded up

nobody could remember a time when it was not, and none of those knew why it was so closed.

Certainly not because of the occupant's dislike of light and air, for on those rare

occasions when a hunter had passed that lonely spot the recluse had commonly been seen sunning

himself on his doorstep if heaven had provided sunshine for his need. I fancy there are a

few persons living today who ever knew the secret of that window, but I am one, as you

will see. The man's name was said to be Murlock. He was apparently seventy years old, actually

about fifty. Something besides years had had a hand in his ageing. His hair and long full

beard were white, his grey lustreless eyes sunken, his face singularly seamed with wrinkles

which appeared to belong to two intersecting systems. In figure he was tall and spare,

with a stoop of the shoulders, a burden -bearer. I never saw him. These particulars I learned

from my grandfather, from whom I also got the man's story when I was a lad. He had

known him when he was living nearby in that early day. One day Murlock was found in his

cabin dead. It was not a time and place for coroners and newspapers, and I suppose it

was agreed that he had died from natural causes, or I should have been told, and I should remember.

I know only that with what was probably a sense of fitness of things the body was buried

near the cabin, alongside the grave of his wife, who had preceded him by so many years

that local tradition had retained hardly a hint of her existence. That closes the final

chapter of this true story, accepting, indeed, the circumstance that many years afterwards,

in company with equally intrepid spirit, I penetrated to the place and ventured near

enough to the ruined cabin to throw a stone against it, and ran away to avoid the ghost

which every well -informed boy thereabout knew haunted the spot. But there is an earlier

chapter that's supplied by my grandfather. When Murlock built his cabin and began laying

sturdily about with his axe to hew out a farm, the rifle, meanwhile, his means of support,

he was young, strong and full of hope. In that eastern country, whence he came, he had

married, and as the fashion, a young woman in all ways worthy of his honest devotion,

who shared the dangers and privations of his lot with a willing spirit and light heart.

There is no known record of her name, of her charms of mind and person tradition is silent

it. Of their affection and happiness there is abundant assurance in every added day of

the man's widowed life. For what but the magnetism of a blessed memory could have changed

One day Murlock returned from gunning in a distant part of the forest to find his wife

prostrate with fear and delirious. There was no physician within miles, no neighbour, nor

was she in a condition to be left to summon help. So he set about the task of nursing

her back to health. But at the end of the third day she fell into unconsciousness and

passed away, apparently with never a gleam of returning reason.

From what we know of nature like this, we may venture to sketch in some of the details

of the outline picture drawn by my grandfather. When convinced that she was dead, Murlock

had sense enough to remember that the dead must be prepared for burial. In performance

of this sacred duty, he blundered now and again, did certain things incorrectly and

others which he did correctly were done over and over. His occasional failures to accomplish

some simple and ordinary fact filled him with astonishment, like that of a drunken

man who wanders at the suspension of familiar natural laws. He was surprised too that he

Tomorrow, he said, I shall have to make the coffin and dig the grave. And then I shall

miss her, when she is no longer in sight. But now she is dead of course. But it's alright.

He stood over the body in the fading light, adjusting the hair and putting the finishing

touches to the simple toilet, doing all mechanically with soulless care. And still through his

consciousness ran an undersense of conviction that all was right, that he should have her

again as before. And everything explained. He had no experience of grief, his capacity

had not been enlarged by use, his heart could not contain it all, nor his imagination rightly

conceive it. He did not know he was so hard struck, the knowledge would come later and

never go. Grief is an artist of powers of various as the instruments upon which he plays

is dirges for the dead, evoking from some of the sharpest, shrillest notes, from others

the low grave chords that throb recurrent like the slow beating of a distant drum. Some

natures it startles, some it stupefies. To one it comes like the stroke of an arrow,

stinging all the sensibilities to keener life, to another as the blow of a bludgeon, which

in crushing benumbs. We may conceive Murlock to have been that way affected, for, and here

we are upon surer ground than that of conjection, no sooner had he finished his pious work than

sinking into a chair by the side of the table upon which lay the body and noting how white

the profile showed in the deepening gloom, he laid his arms open upon the table's edge

and dropped his face into them, tearless and yet unutterably weary. At that moment came

in through the open window a long wailing sound like the cry of a lost child in the

far deeps of the darkening woods. But the man did not move. Again and nearer than before

sounded that unearthly cry upon his failing sense. Perhaps it was a wild beast, perhaps

it was a dream, for Murlock was asleep. Some hours later, as it afterward appeared, this

unfaithful watcher awoke and, lifting his head from his arms, intently listened. He

knew not why. There in the black darkness by the side of the dead, recalling all without

a shock, he strained his eyes to see. He knew not what. His senses were all alert, his breath

was suspended, his blood had stilled its tides as if to assist the silence. Who, what had

waked him and where was it? Suddenly the table shook beneath his arms, and at that

same moment he heard, or fancied that he heard, a light soft step, another, sounds as if bare

feet upon the floor. He was terrified beyond the power to cry out or move. Preforce he

waited, waited there in the darkness, through seeming centuries of such dread as one may

know, yet live to tell. He tried vainly to speak the dead woman's name, vainly to stretch

forth his hand across the table to learn if she were there. His throat was powerless,

his arms and hands were like lead. Then occurred something most frightful. Some heavy body

seemed hurled against the table, with an impetus that pushed it against his breast so sharply

as nearly to overthrow him, and at the same instant he heard and felt the fall of something

upon the floor with so violent a thump that the whole house was shaken by the impact.

A scuffling ensued, and a confusion of sounds impossible to describe. Murlock had risen

to his feet, fear had by excess forfeited control of his faculties. He flung his hands

and madness incites to action. With no definite intent, from no motive but the wayward impulse

of a madman, Murlock sprang to the wall, with a little groping seized his loaded rifle and

without aim discharged it. By the flash which lit up the room with a vivid illumination

he saw an enormous panther dragging the dead woman towards the window, its teeth fixed

in her throat. Then there was darkness blacker than before and silence, and when he returned

to consciousness the sun was high and the wood vocal with songs of birds. The body lay

near the window where the beast had left it when frightened away by the flash and the

report of the rifle. The clothing was deranged, the long hair in disorder, the limbs lay anyhow.

From the throat, dreadfully lacerated, had issued a pool of blood not yet entirely coagulated.

The ribbon with which he had bound the wrists was broken, the hands were tightly clenched,

David Moore-এর The Boarded Window By Ambrose Bierce - লিরিক্স এবং কভার