YEAH YEAH YEAH YEAH YEAH WOH OH HO OH YEAH YEAH YEAH YEAH IT'S A THIN LINE BE TWEEN LOVE AND HATE IT'S A THIN LINE BE TWEEN LOVE AND HATE IT'S FIVE O' CLOCK IN THE MOR NIN' AND YOU'RE JUST GET TIN' IN A KNOCK U PON THE DOOR A VOICE SWEET AND LOW SAYS SHE O PENS UP THE DOOR AND SHE LETS YOU IN AND NE VER ONCE DOES SHE SAY WHERE HAVE YOU BEEN SHE SAYS A- HOLD IT ARE YOU HUN GRY DID YA EAT YET LET ME HANG UP YOUR COAT NOW AND ALL THE TIME SHE'S SMI LIN' NE VER RAI SES HER VOICE IT'S FIVE O' CLOCK IN THE MOR NIN' AND YOU DON'T GIVE IT A SE COND THOUGHT IT'S A THIN LINE BE TWEEN LOVE AND HATE IT'S A THIN LINE BE TWEEN LOVE AND HATE THE SWEET EST WO MAN IN THE WORLD COULD BE THE MEAN EST WO MAN IN THE WORLD WHEN YOU MAKE HER BE THAT WAY SHE MIGHT BE HOL DIN' SOME THIN' IN THAT'S REAL LY GON NA HURT YOU ONE OF THESE FINE DAYS THERE YOU ARE IN THE HOS PI TAL BAN DAGED FROM FOOT TO HEAD IN A STATE OF SHOCK THAT MUCH FROM BE IN' DEAD YA DID N'T THINK YOUR WO MAN COULD DO SOME THIN' LIKE THAT TO YOU YOU DID N'T THINK SHE'D GOT THE NERVE AC CI DENTS SPEAK LOU DER THAN WORDS LOU DER THAN WORDS LOU DER THAN WORDS LOU DER THAN WORDS OH COME ON COME ON BA BY BA BY A- YOU DON'T GIVE A DAMN A BOUT ME A- COME ON BABY BABY A- YOU DON'T REAL LY CARE A BOUT ME COME ON BA BY BA BY A- YOU DON'T GIVE A DAMN A BOUT ME A- COME ON BA BY BA BY A- YOU DON'T REAL LY CARE A BOUT ME SO COME ON BA BY BA BY A- YOU DON'T GIVE A DAMN A BOUT ME SAID COME ON BA BY BA BY A- YOU DON'T REAL LY CARE A BOUT ME YEAH YEAH HEAR WHAT I SAY A- HEAR WHAT I'M SAY IN'
YEAH YEAH YEAH YEAH YEAH WOH OH HO OH YEAH YEAH YEAH YEAH IT'S A THIN LINE BE TWEEN LOVE AND HATE IT'S A THIN LINE BE TWEEN LOVE AND HATE IT'S FIVE O' CLOCK IN THE MOR NIN' AND YOU'RE JUST GET TIN' IN A KNOCK U PON THE DOOR A VOICE SWEET AND LOW SAYS SHE O PENS UP THE DOOR AND SHE LETS YOU IN AND NE VER ONCE DOES SHE SAY WHERE HAVE YOU BEEN SHE SAYS A- HOLD IT ARE YOU HUN GRY DID YA EAT YET LET ME HANG UP YOUR COAT NOW AND ALL THE TIME SHE'S SMI LIN' NE VER RAI SES HER VOICE IT'S FIVE O' CLOCK IN THE MOR NIN' AND YOU DON'T GIVE IT A SE COND THOUGHT IT'S A THIN LINE BE TWEEN LOVE AND HATE IT'S A THIN LINE BE TWEEN LOVE AND HATE THE SWEET EST WO MAN IN THE WORLD COULD BE THE MEAN EST WO MAN IN THE WORLD WHEN YOU MAKE HER BE THAT WAY SHE MIGHT BE HOL DIN' SOME THIN' IN THAT'S REAL LY GON NA HURT YOU ONE OF THESE FINE DAYS THERE YOU ARE IN THE HOS PI TAL BAN DAGED FROM FOOT TO HEAD IN A STATE OF SHOCK THAT MUCH FROM BE IN' DEAD YA DID N'T THINK YOUR WO MAN COULD DO SOME THIN' LIKE THAT TO YOU YOU DID N'T THINK SHE'D GOT THE NERVE AC CI DENTS SPEAK LOU DER THAN WORDS LOU DER THAN WORDS LOU DER THAN WORDS LOU DER THAN WORDS OH COME ON COME ON BA BY BA BY A- YOU DON'T GIVE A DAMN A BOUT ME A- COME ON BABY BABY A- YOU DON'T REAL LY CARE A BOUT ME COME ON BA BY BA BY A- YOU DON'T GIVE A DAMN A BOUT ME A- COME ON BA BY BA BY A- YOU DON'T REAL LY CARE A BOUT ME SO COME ON BA BY BA BY A- YOU DON'T GIVE A DAMN A BOUT ME SAID COME ON BA BY BA BY A- YOU DON'T REAL LY CARE A BOUT ME YEAH YEAH HEAR WHAT I SAY A- HEAR WHAT I'M SAY IN'
YEAH YEAH YEAH YEAH YEAH WOH OH HO OH YEAH YEAH YEAH YEAH IT'S A THIN LINE BE TWEEN LOVE AND HATE IT'S A THIN LINE BE TWEEN LOVE AND HATE IT'S FIVE O' CLOCK IN THE MOR NIN' AND YOU'RE JUST GET TIN' IN A KNOCK U PON THE DOOR A VOICE SWEET AND LOW SAYS SHE O PENS UP THE DOOR AND SHE LETS YOU IN AND NE VER ONCE DOES SHE SAY WHERE HAVE YOU BEEN SHE SAYS A- HOLD IT ARE YOU HUN GRY DID YA EAT YET LET ME HANG UP YOUR COAT NOW AND ALL THE TIME SHE'S SMI LIN' NE VER RAI SES HER VOICE IT'S FIVE O' CLOCK IN THE MOR NIN' AND YOU DON'T GIVE IT A SE COND THOUGHT IT'S A THIN LINE BE TWEEN LOVE AND HATE IT'S A THIN LINE BE TWEEN LOVE AND HATE THE SWEET EST WO MAN IN THE WORLD COULD BE THE MEAN EST WO MAN IN THE WORLD WHEN YOU MAKE HER BE THAT WAY SHE MIGHT BE HOL DIN' SOME THIN' IN THAT'S REAL LY GON NA HURT YOU ONE OF THESE FINE DAYS THERE YOU ARE IN THE HOS PI TAL BAN DAGED FROM FOOT TO HEAD IN A STATE OF SHOCK THAT MUCH FROM BE IN' DEAD YA DID N'T THINK YOUR WO MAN COULD DO SOME THIN' LIKE THAT TO YOU YOU DID N'T THINK SHE'D GOT THE NERVE AC CI DENTS SPEAK LOU DER THAN WORDS LOU DER THAN WORDS LOU DER THAN WORDS LOU DER THAN WORDS OH COME ON COME ON BA BY BA BY A- YOU DON'T GIVE A DAMN A BOUT ME A- COME ON BABY BABY A- YOU DON'T REAL LY CARE A BOUT ME COME ON BA BY BA BY A- YOU DON'T GIVE A DAMN A BOUT ME A- COME ON BA BY BA BY A- YOU DON'T REAL LY CARE A BOUT ME SO COME ON BA BY BA BY A- YOU DON'T GIVE A DAMN A BOUT ME SAID COME ON BA BY BA BY A- YOU DON'T REAL LY CARE A BOUT ME YEAH YEAH HEAR WHAT I SAY A- HEAR WHAT I'M SAY IN'
YEAH YEAH YEAH YEAH YEAH WOH OH HO OH YEAH YEAH YEAH YEAH IT'S A THIN LINE BE TWEEN LOVE AND HATE IT'S A THIN LINE BE TWEEN LOVE AND HATE IT'S FIVE O' CLOCK IN THE MOR NIN' AND YOU'RE JUST GET TIN' IN A KNOCK U PON THE DOOR A VOICE SWEET AND LOW SAYS SHE O PENS UP THE DOOR AND SHE LETS YOU IN AND NE VER ONCE DOES SHE SAY WHERE HAVE YOU BEEN SHE SAYS A- HOLD IT ARE YOU HUN GRY DID YA EAT YET LET ME HANG UP YOUR COAT NOW AND ALL THE TIME SHE'S SMI LIN' NE VER RAI SES HER VOICE IT'S FIVE O' CLOCK IN THE MOR NIN' AND YOU DON'T GIVE IT A SE COND THOUGHT IT'S A THIN LINE BE TWEEN LOVE AND HATE IT'S A THIN LINE BE TWEEN LOVE AND HATE THE SWEET EST WO MAN IN THE WORLD COULD BE THE MEAN EST WO MAN IN THE WORLD WHEN YOU MAKE HER BE THAT WAY SHE MIGHT BE HOL DIN' SOME THIN' IN THAT'S REAL LY GON NA HURT YOU ONE OF THESE FINE DAYS THERE YOU ARE IN THE HOS PI TAL BAN DAGED FROM FOOT TO HEAD IN A STATE OF SHOCK THAT MUCH FROM BE IN' DEAD YA DID N'T THINK YOUR WO MAN COULD DO SOME THIN' LIKE THAT TO YOU YOU DID N'T THINK SHE'D GOT THE NERVE AC CI DENTS SPEAK LOU DER THAN WORDS LOU DER THAN WORDS LOU DER THAN WORDS LOU DER THAN WORDS OH COME ON COME ON BA BY BA BY A- YOU DON'T GIVE A DAMN A BOUT ME A- COME ON BABY BABY A- YOU DON'T REAL LY CARE A BOUT ME COME ON BA BY BA BY A- YOU DON'T GIVE A DAMN A BOUT ME A- COME ON BA BY BA BY A- YOU DON'T REAL LY CARE A BOUT ME SO COME ON BA BY BA BY A- YOU DON'T GIVE A DAMN A BOUT ME SAID COME ON BA BY BA BY A- YOU DON'T REAL LY CARE A BOUT ME YEAH YEAH HEAR WHAT I SAY A- HEAR WHAT I'M SAY IN'
